Exhibition Title: Ndijongile: Representations of PWA in South African Visual Culture (2004-2024)
Date: 07 September 2024 – 19 October 2024
Location: Berman Contemporary, Rosebank, Johannesburg
“Ndijongile: Representations of PWA in South African Visual Culture (2004-2024)(1) explores the portrayal of person(s) with Albinism (PWA) in contemporary South African visual art over the past two decades. This exhibition presents a dual approach: a solo exhibition and a group show, each providing unique insights into the evolving depiction of the albinotic body.(2)
The group exhibition offers a broad examination of how PWA representations have shifted from stigmatized depictions to contemporary portrayals advocating for rights and inclusion. By showcasing a diverse range of artistic methodologies and perspectives, the exhibition
reflects societal changes and engages audiences in a critical dialogue about evolving attitudes towards Albinism. It highlights the transition from early, often irrational representations to more nuanced and constructive portrayals that challenge stereotypes and promote inclusivity.
Athenkosi Kwinana’s (3) solo exhibition complements this broader exploration by focusing on portraiture as a form of activism. Featuring works created during a residency in Havana, Cuba and subsequent projects in South Africa, her art emphasizes technical aspects such as lighting and symbolism to advocate for the visibility and rights of PWA. Influenced by Cuban artistic techniques and moving beyond self-portraits, her new works include diverse community members, reflecting a shift from personal to collective narratives. This integration
of Cuban techniques and expanded scope highlights themes of visibility and collective resilience.
The exhibition will also feature a panel discussion at the Berman Contemporary Gallery, on the 28th of September 2024. The panel discussion will explore themes on human rights, academia, artmaking, disability, and visual activism concerning Albinism. The panel will
involve distinguished speakers, including academics, activists, and creatives, fostering meaningful dialogue and community engagement.
“Ndijongile” pays tribute to victims of muti-killings, such as Gabisile Shabane,(4) whose story underpins the exhibition’s themes. The exhibition aims to challenge stereotypes, raise awareness, and drive cultural change through compelling visual storytelling. It features
thematic installations and immersive pieces to deepen understanding of PWA’s lived experiences and inspire action.
Additionally, the exhibition integrates research and community insights to highlight social injustices and policy gaps related to Albinism. Informative displays and documentation will offer visitors context on these issues, while the panel discussions will provide expert
perspectives and advocate for policy changes. An online component, including a recorded discussion, will extend the conversation beyond the gallery and foster ongoing engagement
Notes
1 The Xhosa term “Ndijongile,” which directly translates to “I have looked,” is an apt choice for the exhibition title. It reflects the exhibition’s goal of exploring the representation of people with albinism (PWA) in South African contemporary visual culture
2 An albinotic body refers to the physical characteristics of an individual with albinism.
3 Athenkosi Kwinana (b. 1995) is a visual art activist based in Johannesburg, South Africa. Kwinana explores the representation of PWA in South Africa, aiming to confront the systemic violence and discrimination PWA encounter daily. Read more: https://bermancontemporary.com/athenkosi-kwinana/
4 For more information: https://www.timeslive.co.za/news/south-africa/2021-10-11-blood-of-murdered-girl-with-albinism-used-for-cleansing-says-state-witness/ with the exhibition’s themes. Ndijongile aims to foster awareness, encourage dialogue, and drive tangible improvements in how PWA are perceived and treated, both in South Africa and globally.
